Gerald Gardner
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Gerald Gardner


(1884-1964)
 

In 1954 retired British civil servant, Gerald Gardner, released the book Witchcraft Today.  In this book he detailed a Cult of Witches that he claimed to have been in contact with and the religious practices that they purported to follow.  This was the public’s first official introduction to the religious ways of Wicca.
Gardner claimed that these witches, located in the region of England’s New Forest, were part of a religious group that had existed in secret since the times of the European Witch Trials.  Evidence supporting this claim is scarce and investigations indicate that Gardner himself was most likely the source of this religion and its rites, and that they began to be compiled no earlier than around the 1930’s.  Regardless, it is the religion that he handed to us that is practiced today.  Gerald Gardner named this religion Witchcraft and the priesthood of Witches that follows it were named “Wica”.
 
 
The Creation of Wicca
 
Gardner reports that he was initiated into the Witch Cult in Christchurch, England and by all accounts it would appear that this would have occurred (if true) no earlier than 1940.  However, we can see that Gardner was obviously thinking about Witchcraft and its rituals at the very least, all through 1939.  We see this as evident in two places: firstly an article about a box of “witchcraft items” that was written by the Gerald Gardner for the Folklore Society in 1939, and secondly from scenes depicted in Gerald Gardner’s first book, A Goddess Arrives, which was also published in 1939.  These scenes depict rituals that bear a striking resemblance to those of Wicca and essentially appear to be evidence of Gardner’s early thoughts for the form of the rituals that he would later implement into Wicca.
 
However, although these early inklings of Wicca may appear to be a mix of truth and half-truth (as was often Gardner’s style), it is still fair to say that they represent a genuine emergence of a spiritual tradition, as opposed to any kind of direct deceit.
From 1936-37 Gardner experienced a series of dreams which he was convinced were the result of past life memories.  This conclusion was cemented when, from 1937-38, Gardner began a series of visits to Cyprus in which he came to recognise the places he had seen in his dreams.  It is these experiences that fed the motivation to write A Goddess Arrives.
 
 
The Rosicrucian Theatre
 
The years between 1938 and 1940 appear to be particularly significant for Gardner and his connection to the formation of modern Wicca seems to begin with Gardner’s involvement in the Rosicrucian Theatre, at Christchurch.
It is through this group that Gerald Gardner became involved with the Crotona Fellowship – an occult group that formed out of the Co-Masons movement.
In turn, Gardner appears at this time to have become friends with a small group of people within the Crotona Fellowship.  It cannot be proven with any certainty, but this group, consisting of many esoteric characters, may well have been very influential in the development of Wicca.  Present int he Fellowship at the time was Mabel Besant-Scott, who was a leading member of the Crotona Fellowship, as well as having a significant background in Co-Masonry, Theosophy and the Rosicrucians.  Some have considered that she may have been an influence upon Gardner. 
However, Gardner says that it was a small group of outsiders within the Fellowship that introduced him to Witchcraft.  Notable contenders for this small group include members of the Mason family (notably Susie and Ernie Mason),
who were also involved in esoteric groups like the Rosicrucians and many people speculate that they may have also been hereditary witches and part of a pre-existing coven that they themselves discovered around the same time.  Possible candidates for the originator of this theoretical coven have been sugested, such as Rosamund Sabine (aka "Mother Sabine").  However, although there is strong evidence to support these ideas, they ultimately cannot be proven with complete certainty at this time.

Though we can say with fair certainty that Gerald Gardner formed and shaped the rites and rituals of the religion, it can be theorised that perhaps certain elements of Wicca came to Gardner through these sources and that it is very likely that there was a form of "proto-Wicca" in existence before Gardner co-defined it in the religion we know today.

But reardless of whether Wicca began entirely with Gardner or whether it began a few years earlier with the Masons or Sabine, it remains most likely that the larger bulk of the theology was adopted into Wicca from popular themes present in the literary tradition of the time, such as The Golden Bough and Aradia: Gospel of the Witches, as well as the imagery portrayed through the works of Margaret Murray.

No matter the degree of infuence from people like the Mason family upon Gardner, we can say (again, with fair certainty) that there is one member of the Crotona Fellowship that was most certainly involved in Gardner’s early Witchcraft:  Edith Woodford-Grimes.
 
Otherwise known as ‘Dafo’, Edith Woodford-Grimes was a neighbour to the Mason family and most likely became involved in the Crotona Fellowship through them.
It is not known when she became involved in Witchcraft, but she and Gardner obviously had very close relationship (he even gave away her daughter at her wedding).
It has been suggested by some that Edith (Dafo) was really Gardner’s High Priestess and Initiator at the time of his initiation, but this is merely conjecture at this time.  However, it is most certainly true that if Gardner did have an initiation, then Dafo would have been a likely candidate for his initiator.
 
 
Gardner’s Initiation
 
Whether or not Gardner was really initiated into the Witch Cult is a matter that can be left open to opinion at this point.  It is most certainly true that it was Gardner that created the Wicca that we know today, but whether or not he was also inspired by a simpler witchcraft tradition belonging to the Mason family and/or Woodford-Grimes cannot be said.  Though neither can it be dismissed out of hand.
 
Gardner’s claim of his initiation goes thusly:
 

[I] was taken to big house in the neighbourhood.  This belonged to “Old Dorothy” – a lady of note in the district, “county” and very well-to-do.  She invariably wore a pearl necklace, worth some £5,000 at the time.”
 
He goes on to say that he was
 

“…stripped naked and brought into a place “properly prepared”

… It was half way through when the word Wica was mentioned: “and I knew that which I had thought burnt out hundreds of years ago still survived.”
 
The “Old Dorothy” mentioned has been identified as one Dorothy Clutterbuck and she has often been considered to have most likely been Gardner’s High Priestess.  However, an examination of Dorothy Clutterbuck shows that this is quite unlikely and that she was probably just a wealthy, Christian woman.  Perhaps Gardner named her in order to draw attention away from his true coven mates.  Perhaps he named her to add some flair to the tale.  But one thing is clear: it is doubtful that she was ever a member of Gardner’s Witch Cult and if she was, then she would have been a master of subterfuge par excellence!
 
At the very least we can say that Dafo most certainly existed and was involved in Witchcraft.  This much is evident from the fact that several of Gardner’s own initiates (particularly Doreen Valiente and Patricia Crowther) were introduced to her in this capacity.
Dafo’s position in Gardner’s Craft is more a matter that is open to opinion.  It may be that she was the first to enter into Gardner’s Witchcraft.  It may be that she contributed to his creation.  Or it may be that she was, in fact, his initiator.  But it seems that if she did initiate him into a kind of Witchcraft, the Wicca that he created from that (and that we know today) was evolved considerably beyond that.  This much is evident from the very visible evolution of Wicca that can be seen in Gardner’s early Book of Shadows literature.
 
 
Wicca
 
Gardner’s development of Wicca obviously continued in secret for quite a few years and it would appear to be quite apparent that he was in a coven before he publicised his Witchcraft religion.
Gardner first tested the waters for the religion through a fictional work entitled High Magic’s Aid.  If Gardner is to be believed, the witches in his coven (or at least, his parent coven) were opposed to Gardner writing about the religion and it would seem that writing about it in a fictional way was a compromise from both sides.  But according to Doreen Valiente, the witches he was writing about were happy with High Magic’s Aid and allowed him to then go ahead and write a more factual book, so long as it did not reveal any secrets.  The result of this was Gardner’s first true book on what he called “the witch cult”, Witchcraft Today.  This was later followed up by The Meaning of Witchcraft, which further expanded on the Wica, as well as giving some of his own theories of the history of witchcraft in Europe.
 
The thing to note, however, is that although there may be a series of question marks hanging over Gardner’s early relationship with witchcraft, it is clear that what we call “Wicca” is his creation and that he is most certainly the father of modern Witchcraft.
Even if he did obtain some elements of Witchcraft from an earlier tradition (such as Dafo or the Mason family), that earlier tradition is not the Witchcraft or Wicca that we know today.  Wicca was formed by Gardner from a variety of different sources, including ceremonial magic, Freemasonry, folklore and older Paganisms.  Among these sources there may or may not be an older witchcraft tradition, but it is certainly fair to say that any such tradition has been supplanted by the new Witchcraft religion that Gardner created and the Mystery priesthood known as the Wicca.
 
 
 
For more information on the life of Gerald Gardner, we recommend:
 
Websites
Geraldgardner.com
 
Books
Wiccan Roots, by Philip Heselton
Gerald Gardner and the Cauldron of Inspiration, by Philip Heselton
Triumph of the Moon, by Prof. Ronald Hutton
Gerald Gardner – Witch, by Jack Bracelin
 
 

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